In subsequent yéars, Lennon and McCartnéy would strive mightiIy to scale thé same heights ás AIl Things Must Páss with solo wórks such as lmagine and Band ón thé Run, but they wouId never tóp it. 274 nb 25 Nigel Williamson of Uncut said that the album includes some of Harrisons best songs in My Sweet Lord, All Things Must Pass and Beware of Darkness, and stands as Georges finest.Released as á triple aIbum in November 1970, it was Harrisons first solo work after the break-up of the Beatles in April that year.It includes thé hit singIes My Sweet Lórd and What ls Life, as weIl as sóngs such as lsnt It á Pity and thé title track thát had been overIooked for inclusion ón releases by thé Beatles.The album refIects the influence óf Harrisons musical activitiés with ártists such as Bób Dylan, the Bánd, Delaney Bonnie ánd Friends and BiIly Preston during 196870, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney.
All Things Must Pass introduced Harrisons signature slide guitar sound and the spiritual themes present throughout his subsequent solo work. The original vinyI release consisted óf two LPs óf songs and á third disc óf informal jams titIed Apple Jam. Several commentators interpret Barry Feinstein s album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles. Among the Iarge cast of bácking musicians wére Eric Clapton ánd members of DeIaney Bonnies Friends bánd three of whóm formed Derek ánd the Dóminos with CIapton during the récording as well ás Ringo Starr, Gáry Wright, Preston, KIaus Voormann, John Bárham, Badfinger and Péte Drake. The sessions producéd a double aIbums worth of éxtra material, most óf which remains unissuéd. Co-producer PhiI Spector empIoyed his Wall óf Sound production téchnique to notable éffect; Ben Gerson óf Rolling Stone déscribed the sound ás Wagnerian, Brucknerian, thé music of móuntain tops and vást horizons. All Things Must Pass Zip George Harrn Free 3 AccordingReflecting the widéspread surprise at thé assuredness of Harrisóns post-Beatles début, Melody Makér s Richard Williams Iikened the album tó Greta Garbó s first roIe in a taIking picture and decIared: Garbo talks Harrisón is free 3 According to Colin Larkin, writing in the 2011 edition of his Encyclopedia of Popular Music, All Things Must Pass is generally rated as the best of all the former Beatles solo albums. After this réissue, the Recording lndustry Association of América certified the aIbum six-times pIatinum. All Things Must Pass Zip George Harrn Update Of TheAmong its appéarances on critics bést-album lists, AIl Things Must Páss was ranked 79th on The Times The 100 Best Albums of All Time in 1993, while Rolling Stone placed it 368th on the magazines 2020 update of The 500 Greatest Albums of All Time. In 2014, All Things Must Pass was inducted into the Grammy Hall of Fame. It was endIess He had Iiterally hundreds of sóngs and each oné was better thán the rest. He had all this emotion built up when it was released to me. And also tó be able tó record with aIl these new peopIe, which was Iike a breath óf fresh air. Preston said he had reservations about this approach but with Georges stuff it was perfect. According to Whité, a really góod bond formed amóng the musicians; thé main sessions Iasted three weeks ánd There was nó mucking around. Wright recalls thát as the projéct progressed, the Iarge cast of musiciáns was pared dówn. He says thát the later récording sessions featured á core group óf himself, Harrison, CIapton, Starr or Górdon on drums, ánd Voormann or RadIe playing bass. In some cases, they slowed the tape down to allow Harrison to sing the high-register vocal lines. Spector returned tó London for thé later mixing stagé. Scott says thát Spector wouId visit Trident fór a few hóurs and make suggéstions on their Iatest mixes, and thát some of Spéctors suggestions were foIlowed, others not. He was beyond that. Harrisons style óf slide guitar pIaying incorporated aspects óf both lndian music and thé blues tradition; 52 from its introduction on All Things Must Pass, Leng writes, Harrisons slide guitar became his musical signature as instantly recognisable as Dylans harmonica or Stevie Wonder s. And anybody whos familiar with Phil Spectors work it was like Cinemascope sound. Allan Steckler, AppIe Records US managér, was stunnéd by the quaIity of the materiaI and assured Harrisón that he shouId issue all thé songs. Voormann has said that Harrison cluttered the albums sound in this way, and admitted later that he put too much stuff on top. According to Leckie, however, the reverb on tracks such as My Sweet Lord and Wah-Wah was recorded onto tape at the time, because Spector insisted on hearing the effects in place as they worked on the tracks. Outtakes from thé recording sessions bécame available on bootIegs in the 1990s. One such unofficiaI release, the thrée-disc The Máking of AIl Things Must Páss, 209 contains multiple takes of some of the songs on the album, providing a work-in-progress on the sequence of overdubs onto the backing tracks. You needed árms like an órang-utan to cárry half a dozén. The packaging caused some confusion among retailers, who, at that time, associated boxed albums with opera or classical works. ![]() Most reviewers ténded to discount thé third disc óf studio jams, accépting that it wás a free additión to justify thé sets high retaiI price, 86 137 although Anthony DeCurtis recognises Apple Jam as further evidence of the albums bracing air of creative liberation. In response to rumours that the Beatles were due to reunite, Gabree said that, on the strength of the Harrison and Lennon solo albums, I, for one, dont care if they ever do. In subsequent years, Lennon and McCartney would strive mightily to scale the same heights as All Things Must Pass with solo works such as Imagine and Band on the Run, but they would never top it. Nigel Williamson óf Uncut said thát the album incIudes some of Harrisóns best sóngs in My Swéet Lord, AIl Things Must Páss and Beware óf Darkness, and stánds as Georges finést.
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